I don’t think I express my appreciation enough for the words I read remaining still on their pages. I’m not sure if it was the intention of Sooth, by David Jhave Johnston, to evoke this heightened sense of appreciation but, it certainly accomplished that.
In Sooth, the poems presented for reading “float” in a kind of amniotic space. They appear to recede into and return from some depth in the screen. Like water, they ebb and flow. Sometimes they graze, others they assault. Point is, the words are not fixed in place. This movement creates for a different kind of compelling experience with poetry.
Because the words are constantly in motion, each line floating in and out of sight, there becomes no one way to read the poem. There is no linearity here to these narratives. Coherence is what you make of it. In order to make the lines appear on your screen initially, you have to click with your mouse. And, as you continue reading, the lines will keep coming, the “beginning” and “ending” lines just cycling back into the poem until there really isn’t even an entry or exit point anymore. Paired with the rather trippy sounds that play in the background for this poetry, this looping motion becomes almost meditative. I know I found myself focusing more on each individual line if only to try to “catch” it. In a way, I feel like I savored each line of poetry more in this piece than I have with other strictly print-based works.
The imagery that went along with this poetry was also interesting. At least, an interesting choice. I believe there was a Venus fly trap, a woman in bed, possibly some abstract sand dunes, water, a fish in a tank, and what looked like a close-up of either snow or sugar granules. There seemed to be no explicit connections to any of the imagery chosen with the poetry. I mean, I definitely formed my own connections but I don’t think there’s anything in the poetry itself that directly addressed its context as it relates to the imagery. I know I found it weird that the poem titled Weeds did not have the Venus fly trap imagery but that of the woman’s body. This piece seemed to play on and off of our perceptions and associations.
For a moment there, I also thought this piece wanted to play off of our perceptions of communication and of language because the last 2 poems began in French instead of English. I was trying to draw on my 4 years of high school French to get through them before I realized I could just change the language via a little icon on the bottom right hand corner. I made it farther than I thought I would but, anyway….
Sooth utilizes a rather simple interface to engage readers with the text floating across their screens by, literally, making that text float. By giving the poetry actual movement, readers are encouraged to follow the text with their eyes and so focus more on that text than if it what stationary. Readers become immersed, submerged, in the water-like movements of this poetry.